Archive for fashion

Do I get Extra Pirate Points For Having the Coolest Eye-Patch?

Posted in Goof & Glamour, I Heart Holidays, I Heart My Love-Tribe, In Celebration of the Absurd with tags , , , , , , , , , , , , , on September 20, 2010 by alphabetfiend

Today is International Talk Like A Pirate Day, for those of you who might not already know. I’m sure most of you have been bombarded with Aaaaargh’s and Aye Matey’s all day long.

I’m nutter for holidays. I relish any opportunity for full-blown festivity. Seriously. Just ask my peeps and wait for the groans. But aside from calling my pup a PAWrate today, I really haven’t been making an effort.

Will it make up for my lack of pirate-talk if I post a picture of me-as-Plush D* in what is surely the coolest eye-patch ever?

 

Bedecked with outlaw bling, this sucker is a beloved treasure. Is it any wonder why? Yes, I know you are jealous. I can’t help that. Don’t hate me because my eye-patch is beautiful.

Extra points?

Extra points for being a glam wench with lotsa BOOTY? Y’know, pirate booty, like loot; jewels, gems, bling-bling, gewgaws. Oh, and ASS. I gotsa lotsa ass. AYE am an assly lass.

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Gaga Must Be in Awe of Mark Ryden. (Hell, Who Isn’t?)

Posted in Art & Culture, Fame & Celebrity, Feminism (Shades of Gray), Goof & Glamour, I Heart Shaman*Art, I Heart Tricksters, In Celebration of the Absurd, Lipstick Shamaness, Psyche & Sexuality, punk rock, Sexuality, Sideshow Siren & Bearded Lady, Star F*#ker, Style & Fashion, Technicolor Pop, Top 2% of Coolest Mofos with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 15, 2010 by alphabetfiend

   I didn’t watch the VMAs but, periodically glancing down at my iphone screen, I saw that twitter was all a-twitter over Lady Gaga’s meat dress.     

(Yes, IPhone, yes Twitter. Groan. “Long Story,” sighs The Lusty Luddite.)    

    

But no one was saying the obvious which was “OMG! Gaga’s gone real life Ryden!”    

Check out that white flaxen hair!

  

Being the selfish little writer-chick that I am I decided to save my “OMG!” for y’all. Except then I couldn’t get online for the umpteenth time (boy, the free wifi from my next door coffee shop sho’ ain’t whut it used ta be.) By the next morning, several people were pointing it out, including Ryden himself. (On Twitter. Hence Twitter.)    

    

Look, no one’s calling Gaga a Ryden rip-off or at least I’m not. It’s still super cool & mad genius. Once again, Lady Gaga used costume as an artistic and spiritual medium; stirring our own frockful fantasies; probing own throbbing architectures of mythos & meaning. So yea, it was pretty much awesome. After all, the girl in “Incarnation” isn’t a real-life girl with stepped-one toes. She was a fantasy, up for the taking.    

Gaga plucked that sucker from the tree of meaning and took a big juicy bite. Oh, wait, let’s try that again. >>I’m a bit rusty due to my recent sabBRATtical. << Gaga fillet’d that fucker from the flank of id and toothesomely tore off a hunk of bloody flesh.    

    

It was brilliant, really, I loved it, except… well, it would’ve been much cooler if she had given Ryden a big old “Yea, baby!” shout-out rather than mumbling some vague, tired shit about feeling like a piece of meat or being seen as a commodity or bla bla bla. Shaaaad up, Lady Bla Bla.    

    

Look, the whole feminism “feeling like a piece of meat” thing, I get it. I just don’t buy it. Not from Gaga.    

Lady Gaga is an absolute expert at letting her meat hang out. If she were really troubled — feeling like a piece of ass — she’d probably cover that ass.     

     

Nah, I think it’s much more likely that Lady Gaga, just like the rest of us, has spent hours agog and drooling over Ryden’s paintings, searching for ourselves from among his feminine archetypes.    

    

I’ve often blamed Ryden’s meat paintings on pop culture’s current carnivorous phase. At the store, as customers went nuts over steak bath-mats and bacon band-aids, I’d just chuckle at Ryden’s far-reaching influence. People may not know that Ryden’s the reason they’re craving meaty gewgaws but he is.    

Mark Ryden put meat on the muther-fuckin’ map. Mark Ryden made meat cool.    

I dunno but I’ve heard that if you wanna get more followers on Twitter, you need only name-drop bacon.    

And vagina.    

And penis.    

And there, folks, is all you really need to know about WHY we are so obsessed with meat.    

    

We are meat. Sometimes we forget that we’re meat. And sometimes we long to remember.    

    

Mark Ryden probes that soft, bloody, fleshy place inside of us. And we…respond.    

    

Lady Gaga wasn’t saying “How dare you treat me like a piece of meat!” Puh-leeze. She was shouting, “Hey, everybody, look at me! I’m meaty!”    

"Broken Label" with Mark Ryden

  

Gaga was acting on an impulse that wasn’t as wholly original as many non-Ryden fans might think. In 2009, freaky fashion blogger Tatianista gave voice to that Grade A urge.    

How utterly fabulous would it be for an underground fashionista like myself to have wearable meat a la Ryden to add to my ever-growing, glamorously eccentric wardrobe? So fab, in fact, that someone far more clever thought of it long before I did.    

Tatianista waxed poetic about the Nagi Noda / Mark Ryden collaboration, which launched Noda’s “Broken Label.”    

The first and only collaborative fashion collection the two artists produced…will likely be as highly collectible as just about anything else Ryden has produced…even more-so now that Noda, whose broad body of work included everything from popular music videos and commercials to sculpture, conceptual art and “hair hats” died tragically young last year. She left this world wearing her favorite Chanel boots, Victor and Rolf black lace eyelashes and one of her own Mark Ryden dresses.    

In February of this year (2010) the prescient Schadenfreude Pony declared of the meat dress in Ryden’s “Incarnation”    

GaGa will be wearing it next week.    

Unlike Tatianista and Gaga, I’ve never felt an enormous need to wear a meat dress. I’ve always been more into Ryden’s more mythic maidens, all filled-up from the inside with story & secrets.    

    

 I was obsessed for a time with creating a t-bone steak clutch, perfect accessory for the LBD, but was too lazy and never got around to making it.    

    

The ground chuck bag was a Ryden collab with Paul Frank. I’m not sure who did the pork slab but isn’t it the ideal briefcase for bringin’ home the bacon?    

    

My someday steak purse would not be a real t-bone, of course, cause I can barely stomach raw meat when preparing it for the grill (and my stomach.) My meaty fashion forays would be more figurative than real life soon-to-be rotting flesh.    

    

Such as these folks did for a Mark Ryden opening. (She’s in stilts, I think, which is all kinds of circusy spectacular)    

Man in a meat at Mark Ryden show

  

Though I give Gaga big props for keeping it real. I mean, look at these shoes.    

    

They look like they’re ready for the oven not the VMAs.    

    

One sultry June night in Toledo, I met my friend Dan McGuire — my Precocious Dandy — at a gritty east-side club. Dan was joining a local band, The Porn Flakes, on-stage. As a steak. All 6 feet and 5 inches of Dan had disappeared into a giant foam-rubber t-bone. Back stage, in the tiny yard behind the club, Dan stripped outta the steak and changed into a giant cow.  I dropped down onto the discarded steak, lounging like it was a carne-chaise. In a tiny pinkey-orange sundress & pink boa, with a nice marmaladey tan, I was feeling pretty luxurious, pretty damn cheeky. Things were going great, until one of the Porn Flakes began to eye me hungrily.    

“What?” I playfully glowered. “What am I? Just a piece of meat?”    

“I dunno, nah,” he drooled, “But you sure do look like a golden, buttery mushroom to me mmm.”    

“Hey, hey! ” Dan hollered. “That’ll be enough of that. Have a little fuckin’ respect, why don’tya?   

While Dan railed and ranted — protectively, possevively — I lounged extra lasciviously on my meat chaise. I batted my lashes as Dan hurried to pack his things. I smirked as he reached for my hand, yanking me up, pulling me away from those perverted Porn Flakes. I giggled as I caught up with his long aggravated strides, glancing back at my starving admirer. Then I leaned lovingly into Dan’s sturdy ribs as we ran excitedly down the dirty street, a trail of pink feathers behind us.    

*All paintings/art by the crazy gorgeous genius Mark Ryden. Check out his dot.com  

*For another meaty anecdote, read “Ham, I Am”

Mad Men Sexpot Gets Wooly for ETSY

Posted in I like big butts & I can not lie, Style & Fashion, Technicolor Pop with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 21, 2010 by alphabetfiend
If that luminous hottie on ETSY looks like steamy actress Christina Hendricks, that’s because she is Christina Hendricks.
 
 
FYI, to those men-folk among you with a nose for anything “Christina Hendricks”, but not much else, ETSY is the web phenom known to crafters as the place to sell one’s handmade wares. For fashionistas with a taste for the unique, ETSY is the # 1 go-to for a find that wasn’t cranked out in a factory.
 
 
 
Blackbird Design House hawked handmade scarves via ETSY, using Hendricks as model. You may be asking, “How can I get Hendrick’s to model my DIY?”
 
Answer: Tamara Mello, the gal behind the knitting needles, is a Hendrick’s pal.
 
The cozies looked sublime on Christina. Her milk-white skin was the perfect backdrop for some chunky, funky stitches.
 
 
 
Wrapped in lambsy fluff, her creamy throat looked lush.
And mm-mmm her smokin’ curves looked plush.
 
 
It warms the cockles of my heart that the emmy-nominated Hendricks, who plays Mad Men’s voluptuous working girl Joan Holloway, posed in the wooly wears for a friend. What a stand up gal!
 
 
 
It’s just like I always say, “It’s good to have gorgeous and generous gal-pals!”
 
Tamara Mello?
Tamara Mello’s name may sound familiar to hardcore fans of television mastermind Ryan Murphy.
 
Murphy — the man behind Fox’s famous “Glee” and FX’s “Nip Tuck”) may recall a WB show from way back called “Popular.”  Tamara Mello played petite & punky Lily Esposito, the sassy latina.
 
 
 
Also on “Popular”: Tammy Lynn Michaels, who recently refused to be bullied into break-up silence by her ex Melissa Etheridge, with whom she shares children.
 
For Murphy enthusiasts, “Popular” is worth watching on DVD. “Popular” is a “Glee” precursor where-in Murphy worked out some of the kinks in the teen-drama genre, and maybe some of his own teen angst. Fans of Murphy as an artist working in the medium of television will get a glimpse into the writer,creator and director’s creative process. Fans of “Glee” will see the progression of that idea in the days before anyone thought we were ready for weekly song and dance on TV. 
 
 
In addition to her shibori dyed scarves, Mello also makes felted trays and nesting baskets for her company Blackbird Design House. Hendrick’s did Mello a hell of a friendly favor. Hype hype hooray! People are emptying  their pockets while they gawk. Those rosy cheeks, that pouty pucker. It’s no wonder Mello’s knits have been selling out quick.
 
 
But my favorite, the one that falls like a bodice of snow drift, is still available. Mmmmm. Hmmm. Can I really justify a 130$ scarf when I live in sunny Austin?  Well, it was once on the delicious nape of a zaftig goddess, which is my very favorite kind of deity.
 
Do you s’pose osmosis works with pretty? Yummy? Supernaturally sexy?
 
If I drop the bucks will I drop dead gorgeous? 
 
*Technicolor Pop (aka Alphabetfiend aka…) is a slave to fashion with a  television vice; based in Austin, Texas.*

“Con Te Partiro”; With You I Leave (Sunday AM Punk Rock Gospel)

Posted in Art & Culture, Art Lover, Livin' La Vida Frida, Style & Fashion, Sunday AM Punk Rock Gospel with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 18, 2010 by alphabetfiend

When you are far away I dream on the horizon and words fail, and I do know that you are with me, with me, with me. You, my moon, you are here with me. My sun, you are here with me, with me, with me, with me. With you I will leave.

As you may already know, I’ve been a most irresponsible ringleader. I’ve only recently returned to Cream Scene Carnival after a long hiatus. It wasn’t until I returned that I learned I had any “real” readers and now that I know, I’ve promised no more extended absences.

But can a gypsy-carnie with a history of wanderlust really make such a vow?

Well… yes.

Some time away doesn’t seem like such a big deal except for when it comes to one reoccurring post: The Sunday A.M. Punk Rock Gospel. The column I obsessed over and that no one ever read (besides The Reliable One) but he loved it too so I forged ahead with the idea. The idea?

A temple built of alphabet & musical notes, a church constructed of code, a sacrament of song.

I call it “The Punk Rock Gospel” though only some of the song choices are officially “punk rock.” It’s our attitude that’s punk rock. 

We’re outside the religious main-stream but still ass-kicker omen-seeker mystic-minded mutants who are looking for a moment of holy meditation but on our own damn terms.

No nun to rap our knuckles, no priest to diddle us under our choir robes. No bigot to tell us who to love or hate. No big-mouth phoney with his pants down and his hand out. No saintly soul with her lips pursed & judging our upblown skirts as we smirk all Tinto-Brass balls-out saucy. No one luring our loved one to the woods and striking her down because she is beautiful and he wants her which makes him hate her. (RIP Ronnie. The Robot-Boy misses you.) No one to tell us which hotdog to eat. No one to chop at the genitals of our babes. No one to shame us for unabashedly loving eachother and ourselves.

Now watch as I pass out pastels and ooh and ahh as you draw chalky caricatures of Muhammad on the sidewalk.

No one to kill us afterwards.

Down with the dogma! Up with the dada!

When I started Cream Scene Carnival, I had high hopes for the punk rock gospel. I wanted people to read it, to love it, to listen to the songs and then to come back again. And again.

It seemed as if it would never happen. Now, almost out of nowhere, my hopes have been realized. Y’all are reading the punk rock gospel! You’re coming back the next week and the next week too! I’m so happy I could fly my own heart like a bright red kite.

Which is why I MUST find my way here every single Saturday night or early Sunday morning (Monday at the latest?) Either that or I must initiate others to serve as Gurus of Garage Rock or Mofos of Funk for those times when I am unavailable in any of my holy guises: High-Priestess of Tom-foolery; Trickster Fox Fortune-teller; Lipstick Shamaness. Finding a sacred sub is really the perfect solution as it means a fresh perspective or a whole new kind of song on a special kinda Sunday.

This week is in that spirit, even though I am here (having hauled my butt to a late-night diner to surf their wireless.) So it’s me whose typing these words today but it’s a reader — and new interwebby friend, Alice — who chose this video and song. She sent the link to me after a recent post on Frida Kahlo’s 103rd birthday. Maybe, if you are lucky, Alice will contribute her own thoughts/”gospel” in the comments. Although I’ve noticed that a normal modest person with decent goodness and the appropriate level of humility doesn’t take easily to the idea of writing “gospel”. I say, Phooey! and Screw that chicken til the feathers fly! I say take the word “gospel” and make it work for you. I say that God was created by us and is ours to recreate.

Of course there are those who will gasp — aghast! — and call me a hell-bound heathen. But the way I look at it, I’m keeping my heavenly options open. Wide open. I’m after an all-access pass! If I wanna smoke a stogey with the Devil after a day of wind-surfing with Jesus but before a long night of drunken club-hopping with Artemis and Venus, well then, so fucking be it. These are OUR MYTHS and we should be able to interact with them freely.

On that note, I’d like to open up the Sunday A.M. Punk Rock Gospel to all of you because it was my gift to you and now it’s yours. That doesn’t mean I won’t keep writing week after week but it does mean that I am open to song suggestions or topics of discussion. Anyone interested in guest-hosting a punk rock gospel (choosing song, video & theme, as well as writing the text) should raise their hand with a hell yea! or a why the hell not!?

This week’s song is Com Te Pardis or “With you, I Will Leave” (also known as “Time to Say Goodbye.”) The song is sung by Andrea Bocelli and was “chosen” by Alice who “gifted” it to me after a tough couple weeks in which I wrestled with issues of loss, grief and death. As Alice and I discussed, there’s always that shamanic meaning within injury, illness or trauma.

Let us be the ones to look for those gifts which aren’t showy or jewel-encrusted.

Let us be the ones to love being alive and to never ever be too cool, too hip or too busy to (know) show it.

Let us be the ones who find a new spirit in the rubble of religion.

Let us be Lizard Kings! Let us be everything!

Livin’ la vida Frida!!

Con Te Partiro; With You, I Will Leave

(With you, I leave)

Quando sono solo sogno all’orizzonte e mancan le parole
(When I’m alone I dream of the horizon and words fail)

si, lo so che non c’e luce in una stanza quando manca il sole
(Yes, I know there is no light in a room when the sun is absent)

se non ci sei tu con me / con me
(If you are not with me / with me)

su le finestre
(at the windows)

mostra a tutti il mio cuore che hai acceso
(show everyone my heart which you set alight)

chiudi dentro me la luce che / hai incontrato per strada
(give to me the light / you found on the street)

con te partiro
(with you i will leave)

paesi / che non ho mai
(countries which i have never)

veduto e vissuto con te
(seen and experienced with you)

adesso, si, li vivro
(now, yes, i will live them)

con te partiro
(with you i will leave)

su navi per mari
(on ships across seas)

che, io lo so / no, no, non esistono piu
(which, i know, no, no, no longer exist)

con te io li vivro
(with you i will live them)

quando sei lontana sogno all’orizzonte e mancan le parole
(when you are far away I dream on the horizon and words fail)

e io si lo so che sei con me / con me
(and I do know that you are with me, with me)

tu, mia luna, tu sei qui con me
(you, my moon, you are here with me)

mio sole, tu sei qui con me, con me, con me, con me
(my sun, you are here with me, with me, with me, with me)

con te partiro
(with you I will leave)

paesi che non ho mai
(countries which i have never)

veduto e vissuto con te
(seen and experienced with you)

adesso, si, li vivro
(now, yes, i will live them)

con te partiro
(with you i will leave)

su navi per mari
(on ships across seas)

che, io lo so / no, no, non esistono piu
(which, i know, no, no, no longer exist)

con te io li rivivro
(with you i will relive them)

con te partiro
(with you i will leave)

su navi per mari
(on ships across seas)

che, io lo so, no, no, non esistono piu
(which, i know, no, no, exist no longer)

con te io li rivivro
(with you i will relive them)

Io con te!
(I’m with you!)

********************************

*The surrealist pieces Angels of Death & Infinity are by George Gris and are available as prints.

I love how the Angel of Death has the rowboat which she sails in the song: “With you I will leave, on ships across seas, which, I know, no, no, no longer exist, with you I will relive them, with you I will leave, on ships across seas.”

I’ll be all gypsy-wild & on the road after this is published so there may be some delay in answering comments. But I’ll be back. Be assured.

Sexy Mermaid Vay-Cay Get-a-Way (for Alice)

Posted in Art & Culture, Art Lover, Buxom Goo Goo, Goof & Glamour, I Heart Mermaids, Mythos with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 14, 2010 by alphabetfiend

Alice has been fantasizing about “a luxurious, decadent, and totally out of reach beach rental in Florida, especially for Mermaids, I kid you not.”

“Mermaid Castle” is the oldest beach house in Crescent Beach, Florida. The house, once a small grove of cypress, sleeps 12 and is available for holiday rentals.

“Mermaid Castle” features a tiki hut, a jacuzzi and a swimming pool perfect for re-infusing our scaly tails with much needed moisture. Also — so we don’t get too homesick for Atlantis, which is such a sorrowful “itis,” just ask Alice — there are “breathtaking ocean views.”

It’s no wonder Alice is inspired to play hostess (with the mostess.) 

“What a tea party I would throw. Of course, I would invite the Mad Hatter, Foxy Trickster, and the illusive brown rabbit with the black spots.”

Did you catch that, sailors?

I’ve been given a sought-after invite to Alice’s tea party. That’s me, Foxy Trickster!

I just can’t wait to meet the Hatter. I hear he’s very, how do they say? Eccentric. Those are my people, y’know. The Eccentrics. Jonathan Zap calls us mutants, I call us mermaids. Some people say weirdos to which I say “Woo-hoo!”

Oh what a tea-party that would be!

There on Crescent Beach, sipping maitais outta porcelain teacups, stuck haphazardly with technicolor paper umbrellas. We’d munch on a rainbow array of Parisian macaroons shaped like swirly seashells. We’d play poker with oceanic ante: tiny starfish & coin-sized turtles with orange sherbet bellies. We’d nap in poolside hammocks as the pages (and our fins) flapped in the salty breeze.

Around midnight, we’d don sequin mini-dresses & fishnet stockings. We’d order dark rum ON THE ROCKS  and lure shy seaman, who would crash into us with the velocity of a tsunami.

Of course they’d be long gone come morning (er, some might call it “afternoon.”) We’d awake satisfied, dreamy-eyed and mop-headed. We’d gossip about the evening’s exploits as we lolled beneath paper parasols (like in our teacups, only big.)We’d flop our tails in the sunshine, trading sexy tips & naughty details.

“Like what?” you wonder, with your drawers a-stir.

Well….a mermaid never kisses & tells (outside of a tea party) but let’s just say that we use what our mer-mama’s gave us.

MMMmmm. Mermmmermermermermmm. Mmm.

Get it, knucklehead?

Mermaids are experts at fellatio!

(Or cunnilingus, for those of us who prefer femmes.)

>Wink wink < 

*************************************

The painting “Fishnets” is by the whimsical & wonderful Nancy Farmer. Prints are available. If you have some time, lotsa time, swim on over to the artist’s site. Nancy Farmer must be a mermaid herself because you WILL get hopelessly ensnared. I once spent several hours in her “net” and when I finally came out of her sea-song trance my shirt was soaked with drool and I’d grown a fine set of demon horns. Be forewarned!

She Danced Herself Right Out The Womb

Posted in Goof & Glamour, I Heart My Love-Tribe, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , on July 14, 2010 by alphabetfiend

I danced myself out of the womb, is it strange to dance so soon? I danced myself out of the womb.

I spent too much money on an itty-bitty “oversized” pair of movie-star sunglasses with candy colored polka dots. For my niece. She’s a baby. Does a baby need pricey glam-girl shades? Well…why yes, she does indeed.

I tried to put them back three times but couldn’t do it. The glasses matched the “Hooray! It’s spring!” outfit I’d painstakingly chosen: outrageous floral “skinny jeans” & cute tee with iridescent writing. The glasses were the perfect accessory for this “sweet punk” look — one very similar to outfits I’ve worn — and those big ol’ shades made it all the more me-ish.

She HAS to have ’em, I told myself as I ponied up the cash.

Baby oh Baby! Was I ever right!

Thing 1 (mama niece) takes excellent care of the glasses and Thing 2 looks insanely cute in them so the money wasn’t wasted. In fact, they were worth every cent! Cause this video of her gettin’ down while sporting her movie-star sunglasses is so cute it KILLS. The only thing that would make it better is if she were dancing to Bolan’s “Cosmic Dancer.”

Cosmic Dancer

I was dancing when I was twelve
I was dancing when I was aaah
I danced myself right out the womb
Is it strange to dance so soon
I danced myself right out the womb

I was dancing when I was eight
Is it strange to dance so late
I danced myself into the tomb
Is it strange to dance so soon
I danced myself into the tomb

Is it wrong to understand
The fear that dwells inside a man
What’s it like to be a loon
I liken it to a balloon

I danced myself out of the womb
Is it strange to dance so soon
I danced myself into the tomb
But when again once more

I danced myself out of the womb
Is it strange to dance so soon
I danced myself out of the womb.

*Marc Bolan/T-Rex

“Cinderella” Dies at 81

Posted in Cinema & Filmmaking, Fame & Celebrity, Movies & Movie Stars, Mythos, Romance, Style & Fashion, Technicolor Pop, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , on July 7, 2010 by alphabetfiend

OK, don’t freak out — Cinderella didn’t die because Cinderella shall live forever in Technicolor.

Ilene Woods died at 81. Ilene Woods was the voice — speaking & singing — of Cinderella in the Disney classic.

Woods was just 18 when Walt cast her as Cinderella, beating out 400 hopefuls for the coveted part. The fellas who wrote the lyrics for the feature film were friends of Ilene Woods — songwriters Mack David and Jerry Livingston — and so Woods sang in the demos that were submitted to Disney. Walt liked what he heard and gave Woods the part. How exciting that must’ve been!

I wanna be a cartoon!

I wanna end up a cartoon in a cartoon graveyard.

When I got my boobs & hips overnight, taking on a pronounced hour-glass shape of near fetishistic proportions, I was immediately hailed as “Betty Boop” by all the boys (much to my dad’s dismay.) The Boop thing continues to this day but before that, I was called “Cinderelli” by my father. If I felt the least bit put upon or taken for granted (as the oldest of six, I often had cause to feel grumbly) Dad would mercilessly tease me in sing-song, “Wash the dishes, Cinderelli! Fold the linens, Cinderelli! Sweep the hearth, Cinderelli! Serve us stew, Cinderelli!”

Only I had no mice or birds to make me gowns of cast away gewgaws. O woe! I want mice and birds! I want a perfectly drawn up-do. I want a pumpkin carriage.

I want GLASS SLIPPERS, the most dreamy and absurd accessory of all. As silly as the diamond-soled shoes that Paul Simon sang of, “People say she’s crazy, she got diamonds on the soles of her shoes, well that’s one way to lose these walking blues. Diamonds on the soles of her shoes!”

Yes, I wanna be the itty-bitty specimen of footly perfection that slips, effortlessly, into that magical high-heel.

It looks like Woods had a real-life pair of glass slippers! (She’s posing with the heels in the above photo.) Lucky lucky cartoon lady.

Ilene Woods said that the best part about playing Cinderella in the timeless classic was that her children (and her children’s children and so on) would be able to connect with her long after she parted.

I wonder if they’ve watched the film since her death on July 1st.

Maybe their hearts are still too raw for that.

Like Janet Jackson was, after Michael Jackson died, when the film “This Is It” was in theatres. Janet refused to see the film, citing her grief and a lack of readyness. Someday, she said, Not yet. Not now.

After my Dad died we continued to pay his cell bill, for months, because we couldn’t give up the comfort of that phone number. We’d call the number just to hear his voice on the message. It was kind of like pushing a big purple bruise, flinching, ouch, and then you push it again. When I finally decided to disconnect the phone, I checked his voicemail one last time and was astounded to find that calls had been pouring in, at all hours of the day and night, from family, friends, kids, cousins, nephews, even his dry-cleaner/tailor who had once turned the flag my dad stole from the post-office into a subversively patriotic shirt. It took me forever to listen to all the messages, as people spoke to him with desperate yearning.

How could you do this to me, Paul? asked one friend, You sonofabitch asshole cocksucker. Why’d you leave me here alone?

Losing a loved one is never easy. I can only imagine how hard it would be if your mother was CINDERELLA. Maybe it is too soon for Ilene’s family to cuddle on the couch and watch as Cinderella enchants Prince Charming. But someday they will and Woods is right, that film will be a gift that keeps on giving.

Bon Voyage, Cinder-Ilene! I hope you are traveling by coach. I hope the journey is magical and Technicolor and glorious. I hope you are wearing your glass slippers.

 

**For more info, see Animation Magazine.  **“I wanna end up a cartoon in a cartoon graveyard”  is from “You Can Call me Al,” yet another song by Paul Simon.

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