Archive for gender politics

DWTS Exploited My Weakness for Cho

Posted in Fame & Celebrity, Goof & Glamour, Got My TV Eye On You, I Heart Funny Femmes, I Heart Robots, I like big butts & I can not lie, Strange Science, Style & Fashion, Technicolor Pop, Top 2% of Coolest Mofos, TV with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 21, 2010 by alphabetfiend

When I first heard that Margaret Cho was on the new cast for DWTS, I was in the Austin audience at Margaret Cho’s performance at The Paramount. She was kvetching about being sore from all the dance practice.

My initial response was “Crap, now I have to watch that shit n’ shinola. Dancing with the stars? Ugg.”

Yet another reminder to never say never.

“Why must you?” you ask. Well, because I love Cho more than I hate DWTS. DUH! Don’t you?

C’mon! We gotta take Cho when and where we can get her. Whether it’s on Lifetime’s schlocky yet charming series Drop Dead Diva, doing the tango on DWTS, or live at The Paramount.

Plus we’ll get to see her mom, which features prominently and hilariously in Cho’s stand-up.

Now that I’ve resigned myself to my pitiful fate, I hafta say I’m really looking forward to seeing Cho in sparkles, sequins and spandex. While performing her stand-up, she was already sporting a street-wear version of DWTS style. She wore a loose silky tunic — one-shoulder, sequined — that showed off her gorgeous shoulder tats. She paired the sparkly tunic with American Apparel’s metallic spandex leggings in spaceship silver; grounding the get-up with a great pair of ass-kicker boots. Mmm. Rugged and mmm soft buttery leather and mmm.

Sorry. My clothes-lust kinda took over for a second there. Lemme wipe the drool from my chin and we’ll move on.

I’m gonna enjoy seeing her twice a week for as long as this lasts. Once she’s booted, I’ll be free but I’ll be bummed.

I just hope she does the Robot. Cause that would totally rock.

No go show Cho some love! Give her some sugars! Form a rallying crowd for her to surf through. Join Team Van-Cho. GO!

Gaga Must Be in Awe of Mark Ryden. (Hell, Who Isn’t?)

Posted in Art & Culture, Fame & Celebrity, Feminism (Shades of Gray), Goof & Glamour, I Heart Shaman*Art, I Heart Tricksters, In Celebration of the Absurd, Lipstick Shamaness, Psyche & Sexuality, punk rock, Sexuality, Sideshow Siren & Bearded Lady, Star F*#ker, Style & Fashion, Technicolor Pop, Top 2% of Coolest Mofos with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 15, 2010 by alphabetfiend

   I didn’t watch the VMAs but, periodically glancing down at my iphone screen, I saw that twitter was all a-twitter over Lady Gaga’s meat dress.     

(Yes, IPhone, yes Twitter. Groan. “Long Story,” sighs The Lusty Luddite.)    

    

But no one was saying the obvious which was “OMG! Gaga’s gone real life Ryden!”    

Check out that white flaxen hair!

  

Being the selfish little writer-chick that I am I decided to save my “OMG!” for y’all. Except then I couldn’t get online for the umpteenth time (boy, the free wifi from my next door coffee shop sho’ ain’t whut it used ta be.) By the next morning, several people were pointing it out, including Ryden himself. (On Twitter. Hence Twitter.)    

    

Look, no one’s calling Gaga a Ryden rip-off or at least I’m not. It’s still super cool & mad genius. Once again, Lady Gaga used costume as an artistic and spiritual medium; stirring our own frockful fantasies; probing own throbbing architectures of mythos & meaning. So yea, it was pretty much awesome. After all, the girl in “Incarnation” isn’t a real-life girl with stepped-one toes. She was a fantasy, up for the taking.    

Gaga plucked that sucker from the tree of meaning and took a big juicy bite. Oh, wait, let’s try that again. >>I’m a bit rusty due to my recent sabBRATtical. << Gaga fillet’d that fucker from the flank of id and toothesomely tore off a hunk of bloody flesh.    

    

It was brilliant, really, I loved it, except… well, it would’ve been much cooler if she had given Ryden a big old “Yea, baby!” shout-out rather than mumbling some vague, tired shit about feeling like a piece of meat or being seen as a commodity or bla bla bla. Shaaaad up, Lady Bla Bla.    

    

Look, the whole feminism “feeling like a piece of meat” thing, I get it. I just don’t buy it. Not from Gaga.    

Lady Gaga is an absolute expert at letting her meat hang out. If she were really troubled — feeling like a piece of ass — she’d probably cover that ass.     

     

Nah, I think it’s much more likely that Lady Gaga, just like the rest of us, has spent hours agog and drooling over Ryden’s paintings, searching for ourselves from among his feminine archetypes.    

    

I’ve often blamed Ryden’s meat paintings on pop culture’s current carnivorous phase. At the store, as customers went nuts over steak bath-mats and bacon band-aids, I’d just chuckle at Ryden’s far-reaching influence. People may not know that Ryden’s the reason they’re craving meaty gewgaws but he is.    

Mark Ryden put meat on the muther-fuckin’ map. Mark Ryden made meat cool.    

I dunno but I’ve heard that if you wanna get more followers on Twitter, you need only name-drop bacon.    

And vagina.    

And penis.    

And there, folks, is all you really need to know about WHY we are so obsessed with meat.    

    

We are meat. Sometimes we forget that we’re meat. And sometimes we long to remember.    

    

Mark Ryden probes that soft, bloody, fleshy place inside of us. And we…respond.    

    

Lady Gaga wasn’t saying “How dare you treat me like a piece of meat!” Puh-leeze. She was shouting, “Hey, everybody, look at me! I’m meaty!”    

"Broken Label" with Mark Ryden

  

Gaga was acting on an impulse that wasn’t as wholly original as many non-Ryden fans might think. In 2009, freaky fashion blogger Tatianista gave voice to that Grade A urge.    

How utterly fabulous would it be for an underground fashionista like myself to have wearable meat a la Ryden to add to my ever-growing, glamorously eccentric wardrobe? So fab, in fact, that someone far more clever thought of it long before I did.    

Tatianista waxed poetic about the Nagi Noda / Mark Ryden collaboration, which launched Noda’s “Broken Label.”    

The first and only collaborative fashion collection the two artists produced…will likely be as highly collectible as just about anything else Ryden has produced…even more-so now that Noda, whose broad body of work included everything from popular music videos and commercials to sculpture, conceptual art and “hair hats” died tragically young last year. She left this world wearing her favorite Chanel boots, Victor and Rolf black lace eyelashes and one of her own Mark Ryden dresses.    

In February of this year (2010) the prescient Schadenfreude Pony declared of the meat dress in Ryden’s “Incarnation”    

GaGa will be wearing it next week.    

Unlike Tatianista and Gaga, I’ve never felt an enormous need to wear a meat dress. I’ve always been more into Ryden’s more mythic maidens, all filled-up from the inside with story & secrets.    

    

 I was obsessed for a time with creating a t-bone steak clutch, perfect accessory for the LBD, but was too lazy and never got around to making it.    

    

The ground chuck bag was a Ryden collab with Paul Frank. I’m not sure who did the pork slab but isn’t it the ideal briefcase for bringin’ home the bacon?    

    

My someday steak purse would not be a real t-bone, of course, cause I can barely stomach raw meat when preparing it for the grill (and my stomach.) My meaty fashion forays would be more figurative than real life soon-to-be rotting flesh.    

    

Such as these folks did for a Mark Ryden opening. (She’s in stilts, I think, which is all kinds of circusy spectacular)    

Man in a meat at Mark Ryden show

  

Though I give Gaga big props for keeping it real. I mean, look at these shoes.    

    

They look like they’re ready for the oven not the VMAs.    

    

One sultry June night in Toledo, I met my friend Dan McGuire — my Precocious Dandy — at a gritty east-side club. Dan was joining a local band, The Porn Flakes, on-stage. As a steak. All 6 feet and 5 inches of Dan had disappeared into a giant foam-rubber t-bone. Back stage, in the tiny yard behind the club, Dan stripped outta the steak and changed into a giant cow.  I dropped down onto the discarded steak, lounging like it was a carne-chaise. In a tiny pinkey-orange sundress & pink boa, with a nice marmaladey tan, I was feeling pretty luxurious, pretty damn cheeky. Things were going great, until one of the Porn Flakes began to eye me hungrily.    

“What?” I playfully glowered. “What am I? Just a piece of meat?”    

“I dunno, nah,” he drooled, “But you sure do look like a golden, buttery mushroom to me mmm.”    

“Hey, hey! ” Dan hollered. “That’ll be enough of that. Have a little fuckin’ respect, why don’tya?   

While Dan railed and ranted — protectively, possevively — I lounged extra lasciviously on my meat chaise. I batted my lashes as Dan hurried to pack his things. I smirked as he reached for my hand, yanking me up, pulling me away from those perverted Porn Flakes. I giggled as I caught up with his long aggravated strides, glancing back at my starving admirer. Then I leaned lovingly into Dan’s sturdy ribs as we ran excitedly down the dirty street, a trail of pink feathers behind us.    

*All paintings/art by the crazy gorgeous genius Mark Ryden. Check out his dot.com  

*For another meaty anecdote, read “Ham, I Am”

Hedwig’s “Origin of Love” (Sunday A.M. Punk Rock Gospel)

Posted in Fur Reals, Goof & Glamour, Intuition & Gut Intelligence, Movies & Movie Stars, Music & Life & Sundays, Psyche & Sexuality, punk rock, Rock & Roll, Romance, Romance & Relationships, Spirituality & Religion, Style & Fashion, Sunday AM Punk Rock Gospel, Technicolor Pop, The wisdom of the universe with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 22, 2010 by alphabetfiend

Last time I saw you, we had just split in two.
You were looking at me. I was looking at you
.

We are always finding something once lost or newly discovered: some elusive idea, fragment of self, new friend, old friend, tribe member, ally, totem, trickster, co-inventor, muse, fellow hero, soul mate.

This search may be the very point of being born to this planet, of being given this skin.

Life is a lost & found.

We have our third eyes pealed, on the sacred look-out for our fellow mutants. We piece our lives together like legos. We sew the tattered bits of our selves into a kaleidoscopic crazy quilt. We wait to meet the pieces we lost. Our owies are eased as things fall in place. Everyone is engaged in this secret vision quest, everyone one is on alert. We’re hoping to heal the mysterious hurt. 

On the look out, always.

Origin of Love

When the earth was still flat,
And the clouds made of fire,
And mountains stretched up to the sky,
Sometimes higher,
Folks roamed the earth
Like big rolling kegs.
They had two sets of arms.
They had two sets of legs.
They had two faces peering
Out of one giant head
So they could watch all around them
As they talked; while they read.
And they never knew nothing of love.
It was before the origin of love.

The origin of love

And there were three sexes then,
One that looked like two men
Glued up back to back,
Called the children of the sun.
And similar in shape and girth
Were the children of the earth.
They looked like two girls
Rolled up in one.
And the children of the moon
Were like a fork shoved on a spoon.
They were part sun, part earth
Part daughter, part son.

The origin of love

Now the gods grew quite scared
Of our strength and defiance
And Thor said,
“I’m gonna kill them all
With my hammer,
Like I killed the giants.”
And Zeus said, “No,
You better let me
Use my lightening, like scissors,
Like I cut the legs off the whales
And dinosaurs into lizards.”
Then he grabbed up some bolts
And he let out a laugh,
Said, “I’ll split them right down the middle.
Gonna cut them right up in half.”
And then storm clouds gathered above
Into great balls of fire

And then fire shot down
From the sky in bolts
Like shining blades
Of a knife.
And it ripped
Right through the flesh
Of the children of the sun
And the moon
And the earth.
And some Indian god
Sewed the wound up into a hole,
Pulled it round to our belly
To remind us of the price we pay.
And Osiris and the gods of the Nile
Gathered up a big storm
To blow a hurricane,
To scatter us away,
In a flood of wind and rain,
And a sea of tidal waves,
To wash us all away,
And if we don’t behave
They’ll cut us down again
And we’ll be hopping round on one foot
And looking through one eye.

Last time I saw you
We had just split in two.
You were looking at me.
I was looking at you.
You had a way so familiar,
But I could not recognize,
Cause you had blood on your face;
I had blood in my eyes.
But I could swear by your expression
That the pain down in your soul
Was the same as the one down in mine.
That’s the pain,
Cuts a straight line
Down through the heart;
We called it love.
So we wrapped our arms around each other,
Trying to shove ourselves back together.
We were making love,
Making love.
It was a cold dark evening,
Such a long time ago,
When by the mighty hand of Jove,
It was the sad story
How we became
Lonely two-legged creatures,
It’s the story of
The origin of love.
That’s the origin of love.

I first saw Hedwig & The Angry Inch on stage — at The Shim Sham Club in New Orleans — and it was absolutely, indisputably magical.

Even the Robot loved it and he mostly loathes musicals.

We were so impressed by that Hedwig-Live experience that we were skeptical of the film. At first. But fear not, the movie managed to keep the magic intact.

“Sometimes grace and hope come in surprising packages. The title character of Hedwig and the Angry Inch, a would-be glam-rock star from East Germany, undergoes a botched gender-change operation in order to escape from the Soviet bloc, only to watch the Berlin Wall come down on TV after being abandoned in a trailer park in middle America.  Writer-director-star John Cameron Mitchell packs an astonishing mix of sadness, yearning, humor, and kick-ass songs with a little Platonic philosophy tucked inside for good measure. A visually dazzling gem of a movie.” (Bret Fetzer)

If you get the chance to see a stage version, jump at it. Even if it’s put on by 6 year olds. Especially if it’s performed by 6 year olds!

If you haven’t seen the film, well, you really should schedule some inspirational “me” time.

Mix up some cocktails. Rat your best wig. It’s high time for Hedwig. 

Have fun!

The film Hedwig & The Angry Inch, with John Cameron Mitchell (writer, director & star) is  available on amazon. So is the soundtrack.

Authors note: This is not the real punk rock gospel for this week. It’s a repost meant to reward you for your support. It’s merely meant to tide you over until I can post today’s intended PRG, which mysteriously disappeared from the screen at 4:28 am. I was writing the PRG (more of a love letter really) when we went off line. While waiting to get back online, I tweaked the sucker for 2 hours and ended up with a fabu finished product. Which I was liable to lose if I couldn’t get back onto wordpress. (I know! I know! I need no lecture. I get it. I waz the stupidz. They don’t call me the Lusty Luddite for nothin’!) Craving wi-fi, I crept out into the dark sreets — a vamp-cyber gently carrying an open computer to the parking lot of a shuttered coffee shop. Hooray! Houston, we have contact. I uploaded an image — something I’ve done countless times — and every bit of text just escaped into the ether. WTF?? Is it due to wordpress’ brand spankin’ new image/gallery widgetty whatucallits? What the hell happened??? No sign of it in revisions either, only an early draft. It’s just gone. Oh, I’m bummed. And stunned. Anyway, I’m gonna go back to the key board! But it will now have to wait until Monday. In the meantime, let Hedwig heal your irk (and mine) with her spiritual, romantic fairytale. *Originally posted on October 12, 2008*

Last time I saw you, we had just split in two.
You were looking at me. I was looking at you.”

*Painting By Genevieve Crotz.*

via Cream Scene Carnival

“Con Te Partiro”; With You I Leave (Sunday AM Punk Rock Gospel)

Posted in Art & Culture, Art Lover, Livin' La Vida Frida, Style & Fashion, Sunday AM Punk Rock Gospel with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 18, 2010 by alphabetfiend

When you are far away I dream on the horizon and words fail, and I do know that you are with me, with me, with me. You, my moon, you are here with me. My sun, you are here with me, with me, with me, with me. With you I will leave.

As you may already know, I’ve been a most irresponsible ringleader. I’ve only recently returned to Cream Scene Carnival after a long hiatus. It wasn’t until I returned that I learned I had any “real” readers and now that I know, I’ve promised no more extended absences.

But can a gypsy-carnie with a history of wanderlust really make such a vow?

Well… yes.

Some time away doesn’t seem like such a big deal except for when it comes to one reoccurring post: The Sunday A.M. Punk Rock Gospel. The column I obsessed over and that no one ever read (besides The Reliable One) but he loved it too so I forged ahead with the idea. The idea?

A temple built of alphabet & musical notes, a church constructed of code, a sacrament of song.

I call it “The Punk Rock Gospel” though only some of the song choices are officially “punk rock.” It’s our attitude that’s punk rock. 

We’re outside the religious main-stream but still ass-kicker omen-seeker mystic-minded mutants who are looking for a moment of holy meditation but on our own damn terms.

No nun to rap our knuckles, no priest to diddle us under our choir robes. No bigot to tell us who to love or hate. No big-mouth phoney with his pants down and his hand out. No saintly soul with her lips pursed & judging our upblown skirts as we smirk all Tinto-Brass balls-out saucy. No one luring our loved one to the woods and striking her down because she is beautiful and he wants her which makes him hate her. (RIP Ronnie. The Robot-Boy misses you.) No one to tell us which hotdog to eat. No one to chop at the genitals of our babes. No one to shame us for unabashedly loving eachother and ourselves.

Now watch as I pass out pastels and ooh and ahh as you draw chalky caricatures of Muhammad on the sidewalk.

No one to kill us afterwards.

Down with the dogma! Up with the dada!

When I started Cream Scene Carnival, I had high hopes for the punk rock gospel. I wanted people to read it, to love it, to listen to the songs and then to come back again. And again.

It seemed as if it would never happen. Now, almost out of nowhere, my hopes have been realized. Y’all are reading the punk rock gospel! You’re coming back the next week and the next week too! I’m so happy I could fly my own heart like a bright red kite.

Which is why I MUST find my way here every single Saturday night or early Sunday morning (Monday at the latest?) Either that or I must initiate others to serve as Gurus of Garage Rock or Mofos of Funk for those times when I am unavailable in any of my holy guises: High-Priestess of Tom-foolery; Trickster Fox Fortune-teller; Lipstick Shamaness. Finding a sacred sub is really the perfect solution as it means a fresh perspective or a whole new kind of song on a special kinda Sunday.

This week is in that spirit, even though I am here (having hauled my butt to a late-night diner to surf their wireless.) So it’s me whose typing these words today but it’s a reader — and new interwebby friend, Alice — who chose this video and song. She sent the link to me after a recent post on Frida Kahlo’s 103rd birthday. Maybe, if you are lucky, Alice will contribute her own thoughts/”gospel” in the comments. Although I’ve noticed that a normal modest person with decent goodness and the appropriate level of humility doesn’t take easily to the idea of writing “gospel”. I say, Phooey! and Screw that chicken til the feathers fly! I say take the word “gospel” and make it work for you. I say that God was created by us and is ours to recreate.

Of course there are those who will gasp — aghast! — and call me a hell-bound heathen. But the way I look at it, I’m keeping my heavenly options open. Wide open. I’m after an all-access pass! If I wanna smoke a stogey with the Devil after a day of wind-surfing with Jesus but before a long night of drunken club-hopping with Artemis and Venus, well then, so fucking be it. These are OUR MYTHS and we should be able to interact with them freely.

On that note, I’d like to open up the Sunday A.M. Punk Rock Gospel to all of you because it was my gift to you and now it’s yours. That doesn’t mean I won’t keep writing week after week but it does mean that I am open to song suggestions or topics of discussion. Anyone interested in guest-hosting a punk rock gospel (choosing song, video & theme, as well as writing the text) should raise their hand with a hell yea! or a why the hell not!?

This week’s song is Com Te Pardis or “With you, I Will Leave” (also known as “Time to Say Goodbye.”) The song is sung by Andrea Bocelli and was “chosen” by Alice who “gifted” it to me after a tough couple weeks in which I wrestled with issues of loss, grief and death. As Alice and I discussed, there’s always that shamanic meaning within injury, illness or trauma.

Let us be the ones to look for those gifts which aren’t showy or jewel-encrusted.

Let us be the ones to love being alive and to never ever be too cool, too hip or too busy to (know) show it.

Let us be the ones who find a new spirit in the rubble of religion.

Let us be Lizard Kings! Let us be everything!

Livin’ la vida Frida!!

Con Te Partiro; With You, I Will Leave

(With you, I leave)

Quando sono solo sogno all’orizzonte e mancan le parole
(When I’m alone I dream of the horizon and words fail)

si, lo so che non c’e luce in una stanza quando manca il sole
(Yes, I know there is no light in a room when the sun is absent)

se non ci sei tu con me / con me
(If you are not with me / with me)

su le finestre
(at the windows)

mostra a tutti il mio cuore che hai acceso
(show everyone my heart which you set alight)

chiudi dentro me la luce che / hai incontrato per strada
(give to me the light / you found on the street)

con te partiro
(with you i will leave)

paesi / che non ho mai
(countries which i have never)

veduto e vissuto con te
(seen and experienced with you)

adesso, si, li vivro
(now, yes, i will live them)

con te partiro
(with you i will leave)

su navi per mari
(on ships across seas)

che, io lo so / no, no, non esistono piu
(which, i know, no, no, no longer exist)

con te io li vivro
(with you i will live them)

quando sei lontana sogno all’orizzonte e mancan le parole
(when you are far away I dream on the horizon and words fail)

e io si lo so che sei con me / con me
(and I do know that you are with me, with me)

tu, mia luna, tu sei qui con me
(you, my moon, you are here with me)

mio sole, tu sei qui con me, con me, con me, con me
(my sun, you are here with me, with me, with me, with me)

con te partiro
(with you I will leave)

paesi che non ho mai
(countries which i have never)

veduto e vissuto con te
(seen and experienced with you)

adesso, si, li vivro
(now, yes, i will live them)

con te partiro
(with you i will leave)

su navi per mari
(on ships across seas)

che, io lo so / no, no, non esistono piu
(which, i know, no, no, no longer exist)

con te io li rivivro
(with you i will relive them)

con te partiro
(with you i will leave)

su navi per mari
(on ships across seas)

che, io lo so, no, no, non esistono piu
(which, i know, no, no, exist no longer)

con te io li rivivro
(with you i will relive them)

Io con te!
(I’m with you!)

********************************

*The surrealist pieces Angels of Death & Infinity are by George Gris and are available as prints.

I love how the Angel of Death has the rowboat which she sails in the song: “With you I will leave, on ships across seas, which, I know, no, no, no longer exist, with you I will relive them, with you I will leave, on ships across seas.”

I’ll be all gypsy-wild & on the road after this is published so there may be some delay in answering comments. But I’ll be back. Be assured.

Punk Rock Gospel Blog: Hedwig’s “Origin of Love”

Posted in Art & Culture, Cinema & Filmmaking, Feminism (Shades of Gray), Friendship, Goof & Glamour, I Heart Funny Femmes, I Heart My Love-Tribe, I Heart Tricksters, Intuition & Gut Intelligence, Movies & Movie Stars, Music & Life & Sundays, Mythos, Psyche & Sexuality, Rock & Roll, Romance & Relationships, Spirituality & Religion with tags , , , , , , , , , , , , on October 12, 2008 by alphabetfiend

We are always finding something once lost or newly discovered… some elusive idea, fragment of self, new friend, old friend, tribe member, ally, totem, trickster, co-inventor, muse, fellow hero, soul mate.

On the look out, always.

Origin of Love

When the earth was still flat,
And the clouds made of fire,
And mountains stretched up to the sky,
Sometimes higher,
Folks roamed the earth
Like big rolling kegs.
They had two sets of arms.
They had two sets of legs.
They had two faces peering
Out of one giant head
So they could watch all around them
As they talked; while they read.
And they never knew nothing of love.
It was before the origin of love.

The origin of love

And there were three sexes then,
One that looked like two men
Glued up back to back,
Called the children of the sun.
And similar in shape and girth
Were the children of the earth.
They looked like two girls
Rolled up in one.
And the children of the moon
Were like a fork shoved on a spoon.
They were part sun, part earth
Part daughter, part son.

The origin of love

Now the gods grew quite scared
Of our strength and defiance
And Thor said,
“I’m gonna kill them all
With my hammer,
Like I killed the giants.”
And Zeus said, “No,
You better let me
Use my lightening, like scissors,
Like I cut the legs off the whales
And dinosaurs into lizards.”
Then he grabbed up some bolts
And he let out a laugh,
Said, “I’ll split them right down the middle.
Gonna cut them right up in half.”
And then storm clouds gathered above
Into great balls of fire

And then fire shot down
From the sky in bolts
Like shining blades
Of a knife.
And it ripped
Right through the flesh
Of the children of the sun
And the moon
And the earth.
And some Indian god
Sewed the wound up into a hole,
Pulled it round to our belly
To remind us of the price we pay.
And Osiris and the gods of the Nile
Gathered up a big storm
To blow a hurricane,
To scatter us away,
In a flood of wind and rain,
And a sea of tidal waves,
To wash us all away,
And if we don’t behave
They’ll cut us down again
And we’ll be hopping round on one foot
And looking through one eye.

Last time I saw you
We had just split in two.
You were looking at me.
I was looking at you.
You had a way so familiar,
But I could not recognize,
Cause you had blood on your face;
I had blood in my eyes.
But I could swear by your expression
That the pain down in your soul
Was the same as the one down in mine.
That’s the pain,
Cuts a straight line
Down through the heart;
We called it love.
So we wrapped our arms around each other,
Trying to shove ourselves back together.
We were making love,
Making love.
It was a cold dark evening,
Such a long time ago,
When by the mighty hand of Jove,
It was the sad story
How we became
Lonely two-legged creatures,
It’s the story of
The origin of love.
That’s the origin of love.

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