Archive for outlaw aesthetic

“Cracklins” (Sunday P.M. Punk Rock Gospel)

Posted in country music, I Heart My Love-Tribe, I Heart Tricksters, Music & Life & Sundays, Mythos, punk rock, Rock & Roll, Spirituality & Religion, Sunday AM Punk Rock Gospel with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 26, 2010 by alphabetfiend

I gotta find some weed and some wine! I just got to find some trouble sometime!  

They’re called The Gourds. They say their music is for “the unwashed  & the well-read.” I’ve oft-referred to them as “Austin in a can”…frothy, cold and startin’ to sweat straight outta the icebox. Pop the top and out comes the sound of Austin in a musty, malty swoosh.  

The Gourds are (left to right): Max Johnston, Claude Bernard, Jimmy Smith, Keith Langford and Kevin Russell.

Goof-damn, there’s been so many good gourd-carved memories!  

Hearing ’em live for the first time ever at the tiny Cactus Cafe, a room as big as y’all’s den; dancing with Leah at Antones, on one of her last A-TX visits before she got married and became Sophia’s momma; flirting with Cha by the lake at twilight as The Gourd’s tore it up cuntry-style.  

Then there was that sticky sunset, driving into El Paso on my way to The Unified Science of Consciousness Conference in Tucson (University of Arizona.) After a long blistering day on I-10, I celebrated crossing the Texas border (finally!) by repeatedly cranking “El Paso.” Cigarette on a rumble seat, drive all day got nothing to eat. I’m Drivin’ all day,  got nothing to get me to where I’m going to. El Paso I’m going to, El Paso I’m going tooo….  

Let’s see? What else?  

Ah, the annual New Year’s Eve Masquerade Ball. One in particular, at The Parish. I wore my elaborate indian headdress & daisy yellow tights under a black mini-dress (trusty LBD of the day) and all night long I played the hell outta my tiny toy accordion! We passed a bottle of bubbly (my prize for best-dressed) and we sputtered laughing cause it was just the kinda New Year’s Eve that you expected to have as a kid, while all the Grups were out partying and you stayed home to watch the ball drop with Grandma. The RobotBoy had a robot mask and we danced all night –rung in the new year right.  

Yep, so many of the gourds-soaked memories are romantic: like “Hallelujah Shine” on the radio those days, those nights in a dark dash-lit car, when the Robot and I were first falling in love.  If you want to meet the Jesus, you gotta go down there brother. If you wanna meet Muhammad, you gotta get in the water. If you want yer hallelujah shine, you gotta go under. You gotta go under Jordan’s mighty waters. This hallelujah shine is mighty dark & old!

If we ever get married — the ‘bot and I — we’d love to have an old-fashioned country carnival: snake-charmers, burlesque dancers, fried chicken and gin-soaked watermelon. RobotBoyLoverMan would don a seer-sucker suit and candy-striped socks. My dress would be all sweet & kicky; something shorter, since a long train would collect grass-stains. Instead of flowers —  as my “bouquet” — I’d tug a swaying, bobbing bunch of balloons. My bridesmaids would sparkle beneath paper parasols, six gorgeous faces shadowed from the Mississippi sun. Speaking of that sun! Let the sucker set! As the sun melts like a butterscotch, The Gourds’ll kick off a raucaus set with “Cracklins!” (Maybe later they’d indulge with a cover of Cohen’s “Dance Me to the End of Love.”???) 

(At this point, after 11 loyal years together, it’s worth waiting until gay marriage is legalized or until we have the budget for The Gourds.)
 
  
I’ve only  just arrived back here in Podunk, Mississippi, having come from Austin, Texas (at this point, I call both cities home… each one homey for different reasons) and after a long roadtrip, I’m thinking damn if it isn’t high-as-hell time that we featured “Cracklins” by The Gourds as a perfectly punk-ass Punk Rock Gospel selection. 
 
The song makes me wish I was a wicked cracklins connoisseur but no. I’m no fan of real-life pork skins. They’re stinky and they’re furry. I prefer my snack foods to be hairless. But hey, I got nothin’ but good things to say ’bout some weed and some wine and some trouble some time.
 

 

“Cracklins” is about recovery, reinvention, redemption! 

Reincarnation! Resurrection!! 

“Cracklins” reminds us that “living out loud” (as G*word would say) is a joyous & good thing — a great big noisyness, a holy ruckus, a prayer the gods are sure to hear!!!
 
I just gotta find a little trouble sometime.
 
When Blood of the Ram first came out( in 2004) I played “Cracklins” for my friend Mary Knott and she thought I was nuts! Especially when I started crying at the end — weeping really, like a stone statue of Mary. All overwrought & goof-touched. All giddy & awe-struck.
 
It’s been years and “Cracklins” still gives me chills.
 
Them Mississippi state police chased me, Pascagoula all the way to Metarie. I robbed a federal bank with a rack of ribs. A jar of sauce, some white bread and a bib.
 
“Cracklins” is an anarchist psalm & a trickster yodel. A holy hell holler & a crooked halo.

An ode to the outlaw! 

A sly nod to all that’s mysterious & mischievous & miraculous about the human spirit.

 Hot DAMN! 
 
Come all ye holy hedonists, this shit’s for you!

  

Listen up! 

Don’t read the lyrics until you’ve listened to the song or you will spoil the surprise at the end which is the very best part and the reason why “Cracklins” makes for good gospel.   

   

Cracklins  

31 days my fingers feel like rain. 

This jail was built on cracklins and cocaine. 

Policemen knocked me down and then charged me, 

With smokin and inciting vagrancy,

yes ‘ey did, yes ‘ey did. 

***

Chicken sneezed, eatin’ my cracklins. 

Buttercup, bloomin in the badlands. 

Kaboom kaboom, piss on the curses. 

Hospital, kiss all the nurses. 

I got to find some weed and some wine. 

I just gotta find some trouble sometime. 

***

Them Navasota troopers ran me down, 

Escorted me right out of town, 

For cherry pickin’ squirrels and feedin’ dogs, 

And dreamin of Jamaica in a fog.

Yes I did, yes I did.

***

Chicken sneezed, eatin’ my cracklins. 

Buttercup, bloomin in the badlands. 

Kaboom kaboom, piss on the curses. 

Hospital, kiss all the nurses. 

I got to find some weed and some wine. 

I just gotta find some trouble sometime.

***

Them Mississippi state police chased me, 

Pascagoula all the way to Metarie. 

I robbed a federal bank with a rack of ribs, 

A jar of sauce, some white bread and a bib.

Yes I did, Yes I did.

*** 

Chicken sneezed, eatin’ my cracklins. 

Buttercup, bloomin in the badlands. 

Kaboom kaboom, piss on the curses. 

Hospital, kiss all the nurses. 

I got to find some weed and some wine. 

I just gotta find some trouble sometime.

Time, time. I’m gonna find ya, I’m gonna get it.

*** 

I was eatin cracklins as the Feds were closin’ in. 

They watched the water as my car went rollin’ in. 

They dragged the river and notified my next of kin. 

But brother, pigs do fly and so can a man! 

When he’s full of fried pork skins!!

Yes, sir! 

Whew!

**********************************************************   

Love love love! 

How ’bout a talisman to honor The Gourd’s teachin’? By PaganGypsy, only $5 bucks on etsy.  

 

In the mood for pork cracklins? See Emeril Legasse’s recipe for homemade cracklins!  

 Go thee to the gourds website  

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Interior Design for Satanists: Aliester Crowley Wallpaper!

Posted in I Heart Steampunk, In Celebration of the Absurd, Sexy Bitch Steampunk yum, SPOOKY KABUKI, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 17, 2010 by alphabetfiend

Spooky Kabuki practically squealed when she saw these insanely lovely “Aliester Crowley” wallpapers.  Spooky Kabuki does not squeal. That’s for the other more easy, more breezy alter egos. 

Spooky Kabuki held in that squeal, swallowing it like a sip of Creme de Menthe where it tingled in her tummy and quivered in her hips. 

"leaf"

 

Aliester Crowley wallpaper? What craziness is this? 

Katie Deedy — clever dame, Brooklyn-based illustrator & designer — created the Crowley design for her company Grow House Grow. Grow House Grow “specializes in narrative-inspired wallpaper design.”  Gulp, gulp. Must swallow squeals. Gulp, gulp. How lit-cool pulp-past whip smart is that shit? 

 

“Our lifelong love of storytelling and affinity for pattern shapes every hand printed roll we produce.” 

Here at Cream Scene Carnival, we celebrate the storyteller. We’re elbows on the table and rapt. 

The whole storied idea behind Grow House Grow is filling us with lust and rapture, but these crazy cool Aliester Crowley papers are perfect for Spooky Kabuki’s dream house: 

 A haunted mansion, crows roosting in the rafters. Spider webs festoon the porch, hanging like festive garlands. Guests duck under the lacy embrace to reach the brass door-knocker — a steampunkish jumble of gew-gaws & gears. Clouds gather there like water-worn pebbles. Inky blue roses grow in tumbling thickets. 

 

A house with as many shadowy hallways as there are rooms. And there’s many a room. Bedrooms with crackling fireplaces and lush beds (for voluptuous bodies and voluptuaries alike.) Down pillows, violet linens, tiger-skins and fox-fur. (Faux.) The library over-flows with old books and clattery vintage typewriters. In the parlour, chow-pups wrestle on the tatty oriental rug as Roky Erickson plays on the Victrola. 

 

Spooky Kabuki’s dream house is that house from my dreams…. where I’m constantly stumbling onto some new wing or discovering some dusty basement full of forgotten treasures. The house of the secret subconscience. With its Jungian beatles and ghosty hues, the Aliester Crowley wallpaper in “Veil” was made for that ever-evolving house… that place that plumbs the psyche.  

"veil"

 

Even The Kubuki must confess that the pink delicacy of the “primrose” version makes for cheeky irony. It would also be lovely in a glamourous powder room — after all, Kabuki’s do a lot of powdering.  

"primrose"

 

The papers aren’t exactly cheap at $180 a roll or $48 a sheet, but it wouldn’t take much to make an impact and delight your senses. They’d be gorgeous in an entry way or other small spaces (like Kabuki’s powder room!) They’d even be great behind a bookshelf or inside a china cabinet.  

They’re a nice subtle way to salute your dark side. 

You’d also be supporting a unique talent like Katie Deedy who does more then design beautiful patterns. Deedy looks into the meaning beyond form. She tells the story behind the flourish. Deedy seeks to decorate The House Of Memory… one room, one wall, at a time. 

The bizarre stories surrounding the life of Aleister Crowley are anything but few and far between. Dubbed “the wickedest man in the world,” Crowley kept heads turning as an avid occultist, insatiable drug user and devoted hedonist. 

This wallpaper pattern stems from the summer of 1938, which Crowley spent in Cornwall. Some unsubstantiated sources site cultish melees involving dancing beauties, hard narcotics and evenings spent in black magic debauchery. My interest, however, lay with a woman also residing in Cornwall that summer: Katherine Arnold-Forster, nee Ka Cox. 

Ka, an intelligent and practical woman, was the ex-lover of writer Rupert Brooke, as well as a close friend of Virginia Woolf. She eventually married into the influential Arnold-Forster family, and had been quietly living in Cornwall with her artist husband for some years prior to Mr. Crowley’s arrival. 

The last night of Ka’s life is shrouded in mystery and rumor. As the story goes, a couple from town found themselves entangled in Crowley’s dark escapades and, fearing for their lives, approached Ka for help. Ever sensible, she took on their cause and made a visit to their cottage the following night. Her intention was to prove the dark arts they practiced were bogus, and it’s possible that a seance was held. Some even believe Crowley himself was present, and a heated supernatural confrontation ensued. What is known for certain is that Ka Cox inexplicably dropped dead that night, making headlines across England and reinforcing Crowley’s scandal-ridden infamy. (from Grow House Grow

There’s something very dastardly and delightful about the Crowley design which befits the source but there’s also a sort of steampunk romanticism to the pattern… antenna become rotors, bug wings become whirring zeppelins. The pattern is organic and mechanic at once. 

 

Hey, Ms. Deedy, be sure to call me when you design a rose-strewn paper inspired by Gilman’s classic  The Yellow Wallpaper. I’m thinking shades of buttercup and mustard, with wispy bits of cream & nudie peach. Mesmerizing, menacing, & liable to lead to mental-imbalance.  Yep. I bet you’re picturing it now, Katie Deedy. I bet it’s beautiful. I’ve been dreaming of that paper for years. Now that I know you exist, I’m waiting on the edge of my seat.  

 

Expect to see more of Grow House Grow’s amazing designs here on Cream Scene Carnival … especially an entomological ode to Mary Ward: a wonderfully creepy contrast of lady and bugs.

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