Archive for sunday

“Con Te Partiro”; With You I Leave (Sunday AM Punk Rock Gospel)

Posted in Art & Culture, Art Lover, Livin' La Vida Frida, Style & Fashion, Sunday AM Punk Rock Gospel with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 18, 2010 by alphabetfiend

When you are far away I dream on the horizon and words fail, and I do know that you are with me, with me, with me. You, my moon, you are here with me. My sun, you are here with me, with me, with me, with me. With you I will leave.

As you may already know, I’ve been a most irresponsible ringleader. I’ve only recently returned to Cream Scene Carnival after a long hiatus. It wasn’t until I returned that I learned I had any “real” readers and now that I know, I’ve promised no more extended absences.

But can a gypsy-carnie with a history of wanderlust really make such a vow?

Well… yes.

Some time away doesn’t seem like such a big deal except for when it comes to one reoccurring post: The Sunday A.M. Punk Rock Gospel. The column I obsessed over and that no one ever read (besides The Reliable One) but he loved it too so I forged ahead with the idea. The idea?

A temple built of alphabet & musical notes, a church constructed of code, a sacrament of song.

I call it “The Punk Rock Gospel” though only some of the song choices are officially “punk rock.” It’s our attitude that’s punk rock. 

We’re outside the religious main-stream but still ass-kicker omen-seeker mystic-minded mutants who are looking for a moment of holy meditation but on our own damn terms.

No nun to rap our knuckles, no priest to diddle us under our choir robes. No bigot to tell us who to love or hate. No big-mouth phoney with his pants down and his hand out. No saintly soul with her lips pursed & judging our upblown skirts as we smirk all Tinto-Brass balls-out saucy. No one luring our loved one to the woods and striking her down because she is beautiful and he wants her which makes him hate her. (RIP Ronnie. The Robot-Boy misses you.) No one to tell us which hotdog to eat. No one to chop at the genitals of our babes. No one to shame us for unabashedly loving eachother and ourselves.

Now watch as I pass out pastels and ooh and ahh as you draw chalky caricatures of Muhammad on the sidewalk.

No one to kill us afterwards.

Down with the dogma! Up with the dada!

When I started Cream Scene Carnival, I had high hopes for the punk rock gospel. I wanted people to read it, to love it, to listen to the songs and then to come back again. And again.

It seemed as if it would never happen. Now, almost out of nowhere, my hopes have been realized. Y’all are reading the punk rock gospel! You’re coming back the next week and the next week too! I’m so happy I could fly my own heart like a bright red kite.

Which is why I MUST find my way here every single Saturday night or early Sunday morning (Monday at the latest?) Either that or I must initiate others to serve as Gurus of Garage Rock or Mofos of Funk for those times when I am unavailable in any of my holy guises: High-Priestess of Tom-foolery; Trickster Fox Fortune-teller; Lipstick Shamaness. Finding a sacred sub is really the perfect solution as it means a fresh perspective or a whole new kind of song on a special kinda Sunday.

This week is in that spirit, even though I am here (having hauled my butt to a late-night diner to surf their wireless.) So it’s me whose typing these words today but it’s a reader — and new interwebby friend, Alice — who chose this video and song. She sent the link to me after a recent post on Frida Kahlo’s 103rd birthday. Maybe, if you are lucky, Alice will contribute her own thoughts/”gospel” in the comments. Although I’ve noticed that a normal modest person with decent goodness and the appropriate level of humility doesn’t take easily to the idea of writing “gospel”. I say, Phooey! and Screw that chicken til the feathers fly! I say take the word “gospel” and make it work for you. I say that God was created by us and is ours to recreate.

Of course there are those who will gasp — aghast! — and call me a hell-bound heathen. But the way I look at it, I’m keeping my heavenly options open. Wide open. I’m after an all-access pass! If I wanna smoke a stogey with the Devil after a day of wind-surfing with Jesus but before a long night of drunken club-hopping with Artemis and Venus, well then, so fucking be it. These are OUR MYTHS and we should be able to interact with them freely.

On that note, I’d like to open up the Sunday A.M. Punk Rock Gospel to all of you because it was my gift to you and now it’s yours. That doesn’t mean I won’t keep writing week after week but it does mean that I am open to song suggestions or topics of discussion. Anyone interested in guest-hosting a punk rock gospel (choosing song, video & theme, as well as writing the text) should raise their hand with a hell yea! or a why the hell not!?

This week’s song is Com Te Pardis or “With you, I Will Leave” (also known as “Time to Say Goodbye.”) The song is sung by Andrea Bocelli and was “chosen” by Alice who “gifted” it to me after a tough couple weeks in which I wrestled with issues of loss, grief and death. As Alice and I discussed, there’s always that shamanic meaning within injury, illness or trauma.

Let us be the ones to look for those gifts which aren’t showy or jewel-encrusted.

Let us be the ones to love being alive and to never ever be too cool, too hip or too busy to (know) show it.

Let us be the ones who find a new spirit in the rubble of religion.

Let us be Lizard Kings! Let us be everything!

Livin’ la vida Frida!!

Con Te Partiro; With You, I Will Leave

(With you, I leave)

Quando sono solo sogno all’orizzonte e mancan le parole
(When I’m alone I dream of the horizon and words fail)

si, lo so che non c’e luce in una stanza quando manca il sole
(Yes, I know there is no light in a room when the sun is absent)

se non ci sei tu con me / con me
(If you are not with me / with me)

su le finestre
(at the windows)

mostra a tutti il mio cuore che hai acceso
(show everyone my heart which you set alight)

chiudi dentro me la luce che / hai incontrato per strada
(give to me the light / you found on the street)

con te partiro
(with you i will leave)

paesi / che non ho mai
(countries which i have never)

veduto e vissuto con te
(seen and experienced with you)

adesso, si, li vivro
(now, yes, i will live them)

con te partiro
(with you i will leave)

su navi per mari
(on ships across seas)

che, io lo so / no, no, non esistono piu
(which, i know, no, no, no longer exist)

con te io li vivro
(with you i will live them)

quando sei lontana sogno all’orizzonte e mancan le parole
(when you are far away I dream on the horizon and words fail)

e io si lo so che sei con me / con me
(and I do know that you are with me, with me)

tu, mia luna, tu sei qui con me
(you, my moon, you are here with me)

mio sole, tu sei qui con me, con me, con me, con me
(my sun, you are here with me, with me, with me, with me)

con te partiro
(with you I will leave)

paesi che non ho mai
(countries which i have never)

veduto e vissuto con te
(seen and experienced with you)

adesso, si, li vivro
(now, yes, i will live them)

con te partiro
(with you i will leave)

su navi per mari
(on ships across seas)

che, io lo so / no, no, non esistono piu
(which, i know, no, no, no longer exist)

con te io li rivivro
(with you i will relive them)

con te partiro
(with you i will leave)

su navi per mari
(on ships across seas)

che, io lo so, no, no, non esistono piu
(which, i know, no, no, exist no longer)

con te io li rivivro
(with you i will relive them)

Io con te!
(I’m with you!)

********************************

*The surrealist pieces Angels of Death & Infinity are by George Gris and are available as prints.

I love how the Angel of Death has the rowboat which she sails in the song: “With you I will leave, on ships across seas, which, I know, no, no, no longer exist, with you I will relive them, with you I will leave, on ships across seas.”

I’ll be all gypsy-wild & on the road after this is published so there may be some delay in answering comments. But I’ll be back. Be assured.

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Death Don’t Have No Mercy (Sunday A.M. Punk Rock Gospel)

Posted in country music, Lipstick Shamaness, Music & Life & Sundays, Sunday AM Punk Rock Gospel, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 11, 2010 by alphabetfiend

This weekend — shadowy due to the solar eclipse perhaps? — has been morbid and over-wrought and thus Devo’s Fresh really wasn’t gonna hit the spot.

 

Due to the ache of the last couple days — Nightmares, Roadside Tragedy and other Ick — I really don’t have my usual Goof-given gratitude and all-around zest for life. And yet I do. You bet I do. It’s just that I’m all too aware of how easily that life can end in a split-second convergence of circumstance, timing and (bad) luck. 

Okay, fine, I’ve got gratitude and zest, sure, but no words. My eyes are red and my sockets are dry from too many tears. Every tear I shed took one word with it and now there’s no words left.

Rather than “Fresh” by Devo, I’ve chosen the blues classic “Death Don’t Have No Mercy.” Actually, I was too spent even for the making of choices, but after I read my last post aloud to RB, he suggested I do “Death…” as it’s one of my all-time heart-wrenching favorites and unfortunately apt. Of course! “Death Don’t Have No Mercy” indeed.

“Death Don’t have No Mercy,” originally done by Reverend Gary Davis, has been covered many times by everyone from The Grateful Dead to, more recently, Ramblin’ Jack Elliot. I’m especially partial to the version by the late great, John Martyn. Martyn did the song in the late 90’s, covering a Portishead song on the same album. (The song was Glorybox, the album was The Church With One Bell.)

I first fell in love with “Death Don’t Have No Mercy” when Martyn did it and so I was hoping to share his version with you but no luck. Nevermind.  The song is amazing, period, and both of the following versions are great. That said, I urge you to check out Martyn’s version, should you take to these. 

I often promise a less-wordy week than usual and then pull words like handkerchiefs from a magician’s pocket but not this week. I mean it. Seriously. I’m shutting up now. (If you crave the usual Sunday A.M. chatter, check out that last sad post.)

And now, the genius Reverend Gary Davis.

And now, my beloved Ramblin’ Jack Elliot.

Death Don’t Have No Mercy

Y’ know death don’t have no mercy in this land
Death don’t have no mercy in this land, in this land
Come to your house, you know he don’t take long
Look in bed this morning, children find your mother gone.

I said death don’t have no mercy in this land.
Death will leave you standing and crying in this land,
Death will leave you standing and crying in this land, in this land, yeah!

Whoa! come to your house, y’ know he don’t stay long,
Y’ look in bed this morning,
Children you find that your brothers and sisters are gone.
I said death don’t have no mercy in this land.

Death will go in any family in this land.
Death will go in any family in this land.
Come to your house, you know he don’t take long.
Look in the bed on the morning, children find that your family’s gone.

****************************

Death don’t have no mercy, but sometimes Death’ll take a raincheck, as was the case with the man who fell nearly 500 feet off a cliff and lived to respect the hell outta Senor Death. So keep hoping and keep loving, my mutant mystics, until that day when Death comes calling.

See you next week for another Sunday A.M. Punk Rock Gospel.

Goof willing.

Louder Than A Bomb (Sunday A.M. Punk Rock Gospel)

Posted in I heart hip hop, I Heart Holidays, Music & Life & Sundays, politics, punk rock, Republicans scare me, Spirituality & Religion, Sunday AM Punk Rock Gospel, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 4, 2010 by alphabetfiend

They claim we’re products from the bottom of hell cause the black is back and it’s bound to sell. Picture us coolin’ out on the Fourth of July and if you heard we were celebratin’, that’s a world wide lie. — Public Enemy

Thanks for tuning in to this special Fourth of July Edition of the Sunday A.M. Punk Rock Gospel.

‘Cause the D is for dangerous
You can come and get some of this
I teach and speak
So when its spoke, it’s no joke
The voice of choice
The place shakes with bass
Called one for the treble
The rhythm is the rebel

So many Sundays, the punk rock gospel has been about appreciating the beauty in life and not being a hater; having gratitude and gusto; forming questions and searching for answers. All good, all valid, but this week is different. This week is about noticing the disfunction (whether in friendships, family or government) and demanding more than disfunction. Speak up, sound the truth, use your voice to fight for what’s right. Make up your own mind regardless of outside pressure. This week I urge you to doubt when doubt is warranted.

This week’s punk rock gospel selection is “Louder Than A Bomb” by masters of dissent, Public Enemy.

Last week , in “Tryin To Make It Real Compared To What,” Les McCaan and Eddie Harris sang:

The President, he’s got his war
Folks don’t know just what it’s for
Nobody gives us rhyme or reason
Have one doubt, they call it treason

Damn. The more things change the more they stay the same. Lyrics written in the 1960’s ring true like they were written yesterday, or back when Bush was in office, or back when Bush’s daddy was in office. I wanted to address the redundancy of politics (and the resulting tragedy) in last Sunday’s Punk Rock Gospel (Tryin’ To Make It Real…) but a political rant hardly fit the emotional tenor of that post.

Still it stuck with me like a burr on a dog’s ball sack.

Now, in the wee hours of July 4th, I’m thinking about patriotism.

Have one doubt, they call it treason.

Ask one question and “the terrorists win.”

I get weary of the old refrain “If you don’t like it, leave.” (I’m so weary of it that I’m actually thinking about leaving. Life as an ex-pat may be just the thing.) A patriot is someone who loves their country and squawks when they see it headin’ off the rails, who believes in the freedom our forefathers fought for, who knows that freedom is not some hyped-up propaganda to be used against us by speech writers.

Never servin ’em well, ’cause I’m an un-Tom
It’s no secret at all
Cause I’m louder than a bomb

Today, as we celebrate the Fourth of July, on boats or in backyards, wearing flip-flops or setting off fire-crackers, flipping burgers or making vats of lemonade, let’s remember that part of loving this country is looking out for it. A patriot is someone who wants the very best for America, not just the same old same old status quo. Complacence and silence can be devastating. A human voice can be LOUDER THAN A BOMB. Don’t be afraid to light that fuse!

If speaking up makes you Public Enemy #1 then so be it. You’ll be in some fine company.

To hear “Louder Than A Bomb” as originally recorded on “It Takes A Nation of Millions to Hold Us Back” (without the distraction of live footage)play this sucker.

If you wanna see footage of Public Enemy performing “Louder Than A Bomb” live, here’s a pretty great version culled from many not so great versions (with bad sound, bad shots or both.)

Peace out, patriots. I have an American Flag cake to bake — whipped cream icing with blueberries as stars and strawberries as stripes. Yum. Let them eat cake! Thanks for tuning in this 4th of July. I hope Public Enemy has inspired.

Let your rhythm be the rebel!!!

Louder Than A Bomb

This style seems wild
Wait before you treat me like a stepchild
Let me tell you why they got me on file
‘Cause I give you what you lack
Come right and exact
Our status is the saddest
So I care where you at black
And at home I got a call from Tony Rome
The FBI was tappin’ my telephone
I never live alone
I never walk alone
My posses always ready and they’re waitin’ in my zone
Although I live the life that of a resident
But I be knowin’ the scheme that of the president
Tappin’ my phone whose crews abused
I stand accused of doing harm
‘Cause I’m louder than a bomb
C’mon C’mon louder etc…

I am the rock hard trooper
To the bone, the bone, the bone
Full grown – consider me – stone
Once again and
I say it for you to know
The troop is always ready, I yell `geronimo’
Your CIA, you see I ain’t kiddin’
Both King and X they got ridda’ both
A story untold, true, but unknown
Professor Griff knows…
“I ain’t no toast”
And not the braggin’ or boastin’ and plus
It ain’t no secret why they’re tappin’ my phone, although
I can’t keep it a secret
So I decided to kick it, yo
And yes it weighs a ton
I say it once again
I’m called the enemy – I’ll never be a friend
Of those with closed minds, don’t know I’m rapid
The way that I rap it
Is makin’ ’em tap it, yeah
Never servin ’em well, ’cause I’m an un-Tom
It’s no secret at all
Cause I’m louder than a bomb

Cold holdin’ the load
The burden breakin’ the mold
I ain’t lyin’ denyin’, ’cause they’re checkin’ my code
Am I buggin’ ’cause they’re buggin’ my phone – for information
No tellin’ who’s sellin’ out – power buildin’ the nation so…
Joinin’ the set, the point blank target
Every brothers inside – so least not, you forget, no
Takin’ the blame is not a waste, here taste
A bit of the song so you can never be wrong
Just a bit of advice, ’cause we be payin’ the price
‘Cause every brother mans life
Is like swingin’ the dice, right?
Here it is, once again this is
The brother to brother
The Terminator, the cutter

Goin’ on an’ on – leave alone the grown
Get it straight in ’88, an’ I’ll troop it to demonstrate
The posse always ready – 98 at 98
My posse come quick, because my posse got velocity
Tappin’ my phone, they never leave me alone
I’m even lethal when I’m unarmed
‘Cause I’m louder than a bomb

‘Cause the D is for dangerous
You can come and get some of this
I teach and speak
So when its spoke, it’s no joke
The voice of choice
The place shakes with bass
Called one for the treble
The rhythm is the rebel
Here’s a funky rhyme that they’re tappin’ on
Just thinkin’ I’m breakin’ the beats I’m rappin’ on
CIA FBI
All they tell us is lies
And when I say it they get alarmed
‘Cause I’m louder than a bomb

*Atomic Tree available as a print.

Sonic Youth’s “Sacred Trickster” (Sunday AM Punk Rock Gospel)

Posted in Friendship, I Heart My Love-Tribe, I Heart Tricksters, Lipstick Shamaness, Mythos, Spirituality & Religion, Sunday AM Punk Rock Gospel, Uncategorized with tags , , , , , , , , , , , , , , , , , , , , , , , , on June 13, 2010 by alphabetfiend

Last Sunday was supposed to be a special birthday-honoring trickster-themed double edition of  The Punk Rock Gospel, but you know what they say about the road to hell…        

Despite my good intentions, I wasn’t able to swing both Gogol Bordello’s “When the Trickster Starts a Pokin”  and Sonic Youth’s “Sacred Trickster.”        

I was too busy eating bon-bons and being spoiled by the Robot Boy. No biggie. The glossy bow-topped packages and the birthday cake carried over into the rest of the week so why not trickster anthems?       

        

The “Sacred Trickster” is the first track on Sonic Youth’s new record. “Eternal” was just released June 9. It’s Sonic Youth’s 16th album and their first album since 2006. “Eternal” — cover art by famous folk-artist John Fahey — is the band’s first album on Matador Records. “Eternal” finds SY creatively-charged and still rockin’ as they return to their old school indy roots and revisit past aural forays:        

Twelve tunes that are a fireworks display of Sonic Youth touchstones. From the primal no wave attack of its earliest days, to the radical chording and song structures of its 90s period, to the more focused and contemporary explorations of the last five years. (Amazon bio)        

   

    In the song, Kim Gordon refers to West Mass noise artist Noise Nomads and French artist/painter Yves Klein.       

        

Sacred Trickster, I want you to levitate me. Don’t you love me yet? Press up against the amp, turn up the treble. Don’t forget.        

   

Sacred Trickster makes me wanna light a cigarette and dance inside my own smoky tornado. I wanna build bombs! I wanna be a girl in a band! I wanna wear my fox-ears to church and bang chaotically on the church organ while reciting lines from Ani songs: I’m tired of being the interesting one, I’m tired of having fun for two. Just lay yourself on the line and I might lay myself down by you. I wanna draw chalk mandalas or fly kites fashioned from old love letters.        

Makes me wanna press up against the amp, turn up the treble.        

Makes me wanna make noise, trouble, love.        

Mostly it makes me wanna ask more of myself: to reach down into my own heaving, hurting place and to dig around in the sadness until I’ve recovered the sacred.        

"LadyFox" by painter, Carolina Hardigree

  

And when I’m done asking more of myself, I’m gonna turn around and ask more of you. And you and you and you.        

I’m going to want you to do for me and to come through for me. I’m gonna want you to make me dizzy when we’re just sittin’ around. I’m gonna want you to levitate me. Can’t you do that for me? Can’t you rid me of all the steely hardness that holds me down? Can’t you blow into me with your breath until I’m light as air? Can’t you lift me from the bed — from my bondage, my ache, my sorrow — and send me up up up with the soft shush of a pink balloon. Why won’t you levitate me? Don’t you love me?        

Or do you think I am asking too much?        

I want you to blow my fucking mind.         

Is that asking too much?        

As Ani sang, I want somebody who can hold my interest, hold it and never let it fall, someone who can flatten me with a kiss that hits like a fist or a sentence that stops me like a brick wall.        

When did we stop expecting to be IN AWE?        

Why are we arrogant if we seek greatness in ourselves or greedy if we expect greatness in others? Why is it too much to want it all? Since when is the status quo enough for any of us?        

So I wanna rub elbows with the sacred, so what? So I expect you to levitate me, why not? Don’t you love me yet?       

       

The Sacred Trickster is that part of yourself that wants to steal the raspberries and chase the gingerbread man.     

The Sacred Trickster is the lover who makes you better by pointing to the bigness in you and saying Gimmee gimmee gimmee.     

The Sacred Trickster is the friend who cracks the secret code and then the nut and then a smile.     

The Sacred Trickster is the melody inside the noise, the meaning inside the poem, the puppet show theater inside a hallowed-out 1956 TV.     

The Sacred Trickster is the rock star who has you pressed against the throbbing amp… the writer who wrote that line (the one that kills you every time)… the painter who has convinced you to cuddle the sly white fox. You open up your cozy covers and Fox closes in tight, nestling, nuzzling, stinking like star dust.      

Who is The Sacred Trickster? He’s you and she’s me. That’s the way it should be.      

        

 Sacred Trickster        

I want you to levitate me        

Don’t you love me yet?        

Press up against the amp turn up the treble        

Don’t forget        

Getting dizzy sittin around        

Sacred trickster and the no tech sound        

I wish I could be music on a tree        

Noise nomads and me        

Levitating on the ground        

Uh huh uh huh        

Uh huh uh huh        

Uh huh uh huh        

Uh huh uh huh        

Whats its like to be a girl in a band?        

I don’t quite understand        

That’s so quaint to hear        

I feel so faint my dear        

Getting dizzy sittin around        

Sacred trickster and the no tech sound        

I wish I could be music on a tree        

Noise nomads and me        

Levitating scootin around        

   

Summon the Sacred Trickster! 

Thanks for tuning in to today’s Sunday A.M. Punk Rock Gospel. Enjoy this, the official Sonic Youth “Sacred Trickster” video as released by Matador Records. It’s ferocious fun in a Gossip Girl meets Guerilla Grrl kinda way.      

***The LadyFox painting (above) is by an extremely talented, emerging artist named Carolina Hardigree. We’ve featured Hardigree’s work on Cream Scene Carnival before and we will again; because she is brilliant, amazing and mythic-minded. My kind of girl! Carolina Hardigree’s work can be purchased via her own website @ Black Bird Fine Art.       

Sonic Youth’s Eternal is available on Amazon.

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